Not Very Spooky

 Not only have I slowed down my blog posting, we've reduced the amount of decorating we do for Halloween. Which could be a sad thing except that quite a lot of "Halloween" decorations actually stay out on display all year long. 😉 

The prompt for #kookyspostcardsal2024 for October was "spooky cute." Not long after I began to think about what I might do I ran across a fabric sample from the late 1990's. It's a large checkerboard pattern with a border at either end featuring very American country toys. In and of themselves the rag dolls looked a bit spooky to me. I found a spiderweb print and then appliqued the dolls on top. From there I fussy cut a couple of ghostly shapes out of another print that is nothing but pairs of eyes on a black background. This postcard was primarily raw edge applique. I seem to be doing a fair bit of that lately. 

I couched the chunky yarn around the perimeter of the card to represent the dust bunnies one would find in an attic. Oh, and there's a spider charm in the web in the upper left corner. I'm calling this one Spooky Cute in the Attic. (I'm nothing if not literal.)

For the first week of the stitch journal project k3n taught us about enso, a meditation practice. This involves calming yourself, then drawing a circle without thinking about it. I drew my very open circle with a watercolor crayon. Wetting it then allowed the color to spread a bit. I stitched over the drawn line and then added other stitches as seemed appropriate in the moment. 

The next week we did some 'scrapplique.' Kathryn and many others made a butterfly image with two or more layers of fabric to decorate the wings. I chose to make a heart to celebrate Gracie's addition to our household. 

The theme for week 42 of the stitch journal project was "all of a piece." We were to take a single layer of fabric and pull threads from it to stitch with. Kathryn used a piece of linen with larger threads and a coarser weave than anything I could find easily in my stash. I ended up using a piece of muslin. 

Part of the muslin was dipped in tea to provide slightly different color threads to stitch with. I pulled my threads from the other side and stitched where the tea stained the cloth. The threads from the muslin were so fine I had a hard time seeing to thread the needle. I did not enjoy stitching through the single layer of thin fabric either. It's an interesting concept though, to use the threads pulled from your cloth to stitch back into it. 

Last week we explored stitching for the senses. Various textures of fabrics of course, but also paying attention to the sound of the thread going through the cloth, any scents embedded in the scraps, etc. 

In the upper left corner I have a piece of huck toweling that had been dyed in a tea that left a faint scent behind. Just below and underneath it is a strip of paper ribbon. I played with a few French knots and a tiny bit of turkey work to create more texture. Felted wool is the foundation for this piece, and the green square dead center is another bit of wool. There's a lot to feel when you close your eyes and run your fingers over this piece. 

As I write this I am debating what to do about the prompt for this final week of October. Kathryn has invited us to blindfold ourselves and see how we can stitch without sight. With appropriate preparations I can see this being a very enlightening experiment. Unfortunately, my gut reaction to this prompt is one of fear. Not of stabbing myself or anything like that. I don't want to make myself that vulnerable, even in my own studio space. I don't understand entirely where this is coming from. I do suffer from a degree of PTSD; maybe that accounts for it. In any case, I need to decide how to address this in my journal. I could write on the page where the stitchery would go, explaining my reason there's no stitched cloth there. Or I could just stitch something else altogether. I haven't yet decided what I will do. In the meantime, those of you who celebrate, have a happy Halloween!