Scrap Happy Day in September

 I've started another little textile book. For this one I've used a piece of denim from jeans my son discarded for the cover. It's about 8" wide like this and 4.5" tall. I expect the finished book to be about 3.75" x 4.5"

 The floral elements I've appliqued on what will be the front cover came from a linen doily that had also been discarded.

 I'm using strips of vintage grain sack for the page foundations.

 So far I have used more bits of grain and flour sacking to lay the groundwork for two signatures or what will ultimately be four pages. (Each of these signatures gets folded in half to create two pages.)

I purposely left a bit of the plain gran sack visible on this first signature. We'll see if it stays exposed!

 Nothing brand new will be used in the creation of this little book. Which is the premise for Scrap Happy Day after all. 😊 To see what others are doing with their scraps or recycled materials click on the links below.

Kjerstin, Eva, Lynda,
Birthe, Turid, Tracy, Jan,
Moira, Chris, Alys,
Claire, Jean, Dawn, Gwen,
Sunny, Sue L, Vera, Kate,
Ann, Dawn 2, Carol, Preeti,
Viv, Alissa, Tierney,
Hannah, Maggie and Wizzy  

 

Textile Treasures Book I

I enjoyed making the six books for the Roxy sister's Journal of Stitchery Volume 9 so much that I decided to carry on making little textile books. From this point forward they may not always be exactly the same size but for this first one I kept to 3.5" wide and 4.5" tall. 

 The cover for this book is a piece of a quilt I bought in a little kit from a gal who was destashing on YouTube (Uniquely Yours by Dawn Marie). I've been collecting bits of crochet and lace along with vintage handkerchiefs from various sources. The focal point on this cover was cut from a corner of one of those hankies. I outlined stitched it with a size 12 perle cotton. 

On the inside front cover I have raw edge "pieced" around a feedsack patch with other prints of a similar type. The yellow strips were once part of an apron. The selvedge edge is attached along the left edge but loose on the right hand side. 

I hemmed the bottom strip to turn it into a one inch by 2 inch pocket. I have a card in there with my name and the date for future reference. 

Turn over the piece of wide white lace to find one of Cicely Mary Barker's flower fairies. They were available as small panels on quilter's cotton some years ago. The light pink at the left side is the folded edge of a handkerchief you'll see later in the book. I decorated it with a strip of lace and left it loose as well. I seed stitched the background with some tiny upright crosses with a Sulky 12 weight thread. 

The next page is another corner from another hankie. I added a few embroidery stitches around the perimeter with a size 12 perle cotton and did some random quilting in the interior. There's a piece of batting between this page and the flower fairy to give the hankie some substance. The embroidered flowers on the right were on a vintage hand towel. I fussy cut them, raw edge appliqued them in place, and then couched a lightweight trim over the cut edges. 

 For the center spread I cut a piece of a fairly new cotton print. The large flowers were cut from one hankie and the smaller ones from a different hankie. The butterfly is wooden. It has a low profile and is lightweight. The patch is from snugglymonkey.com.

 Most of the violets on the left hand page of this spread came from one hankie. The darker violets came from another hankie. The right hand page is the pink hankie I referred to earlier. I folded it in half (using only half of the whole square hankie) to create the base for this page, lining up the crochet edges as closely as I could. The big pink rose is a commercial applique, the flower next to it is from yet another handkerchief. There's another dark violet and a strip of wedding trim along the top. I seed stitched this page with more tiny upright crosses. This page has batting between the two sides as this hanky was also very thin. It began life as a plain white handkerchief; Dawn Marie hand dyed it for me. 

 Here you have the other side of the pink hankie, more wedding trim, and more flowers cut from vintage handkerchiefs. The background areas are quilted with a pink Sulky12 thread. Opposite the hankie we have the other half of the white lace. 

Turn the lace over and you have another of the flower fairies on the inside back cover of the book.

And on the back cover I've applied another bit of crochet with a raised center. 

I

I love having the crochet edges peeking out on the sides and bottom of the book. And it's so soft and squishy; it's lovely to hold in the hands. I'm quite pleased with the way this turned out. There were many times I wasn't sure what I was doing. When I hit upon the fact that I'm trying to showcase the prettiest parts of the embroidered vintage hankies and find places for the short strips of lace and trims and such I realized that I'm trying to save textiles treasures. Thus the beginning of what I expect to be a new series of little books. 😊

Scrap Happy in April

 I've got another little book to share with you. This may have been my very first attempt at a fabric book, inspired by Susan Taylor Brown's "just because" books. Other books have been started and finished since I embarked on this one.   

 This book is about 3.25" wide and 5" tall. I only used things I found in my stash. The challenge was to see what I could do in a black and white palette. The 'Liberty' tag was cut from a silk tie. The buttons are vintage. I had fun playing with my buttons in this book. 

 I tried to use a variety of fabric types. The eyelet on page 2 is a little pocket. The black flower next to it is a crochet piece as is the white flower on the next page. 

 More labels from neckties on page four. The number 2 and the spiffy fella on page 5 were cut from quilting cottons. I used this book as an opportunity to feature some laces along with everything else.  

 After I'd added the mouse (from another quilter's cotton), the strip of crochet and the fibers I couldn't bring myself to do any additional stitching on this center spread. I really like being able to read the words that were printed on the cotton along with the images of cookie dough on the cookie sheets. 

 More labels. Then I fell into spooky mode. 

 On the upper left of the back cover is a waterfall of scrap patches. 

 I used this book as a learning experience. That's one reason it has taken so long to get it to a finished state. I'd get stuck, not knowing what to do next. Then I'd come across someone else's approach or technique and give it a try. I've learned what I enjoy doing and what doesn't appeal to me so much. 

Here are the links for other bloggers who generally participate in this blog hop.  😊

Kate, Eva, Lynda,
Birthe, Turid, Tracy, Jan, 
Moira, Sandra, Chris, Alys,
Claire, Jean, Dawn, Gwen,
Sunny, Kjerstin, Sue L, Vera, 
Ann, Dawn 2, Carol, Preeti,
Viv, Karrin,  Alissa,
Hannah and Maggie  

 

Scrap Happy in Febrruary

I have been following Rachel and her sister Sarah of Roxy's Creations on YouTube since they instituted the first Journal of Stitchery project. I don't think I've ever actually started and finished any volume of the projects they proposed but I found them inspiring. They introduced volume nine in December and stitching began in January. It's looking like I will come closer to fulfilling their briefs this time around than any previous version. 

The suggestion was to choose six books - fiction or non-fiction - to inspire the creation of six textile books, one per month. We are free to make the books any size we like, as many pages as we want, any techniques, etc. I thought long and hard about the books I might use for inspiration. In the end it's looking like I will be more inspired by the idea of a book, the subject matter, rather than any specific title. For example, in January I knew I wanted to use the scraps of feed sack fabrics I still have in my possession. I feel like I used to have a book about feed sacks, or the quilts made during the Great Depression using feed and flour and grain sacks, but I can't find any such title on my shelves. (I have had to weed out books that are too toxic for me to peruse safely.) Nevertheless, I know such books exist.

I confess to buying a piece of vintage feed sack off a vendor on eBay. Otherwise I used only the scraps and remnants I had on hand. I also tried to incorporate buttons and rick rack that seemed of the era.

 My book measures roughly 3.5" wide by 4" tall closed as in the photo above. The flower on the cover is what most folks consider the back side of a yo-yo or Suffolk Puff (which I personally prefer to the gathered side) on top of a rescued crochet medallion with rick rack for stem and leaves. I outlined the yo-yo with perle cotton.  All the edges of the pages have been blanket stitched with 3 strands of embroidery floss. 

Inside the front cover I fussy cut and raw-edge appliqued the rose from one feed sack print. On the opposite page I appliqued a crocheted Colonial Lady that I liberated from a vintage handkerchief. There are scattered single chain stitches in the background around her. 

 

This spread features just about the last pieces I have of the white with the pink rosebud print and the yellow patch with the two young ladies doing housework. I scattered pink Colonial knots on the pink patch. There are red upright crosses on the turquoise patch. The other patches have been seed stitched. 

This is my center spread. Those are vintage buttons on the yellow patch. There are blue stars embroidered above the little girl on her vehicle but the rest of the stitching is all straight stitches done to blend into the backgrounds.

 More simple straight stitches on these two pages and one vintage red button. I really wanted to showcase the prints so I have not added a lot of embroidery or other embellishments. I used the letter buttons in place of a title or a reference to a specific book.

This final page features two more patches that are the last of their kind: the white with the flowers and the blue floral print. Inside the back cover I used rick rack again to frame the motto of the era I was trying to honor. I simply wrote with a Micron pen on a square of muslin for that. There's another bit of crochet secured with a button to dress that up a bit.

This is the back cover. A little bit of feather stitching on either side of another "upside down" yo-yo, a vintage laundry label, and a strip of rick rack. The initials on the laundry label are not exact but they remind me of the name of one of my great-grandmothers. 

 Finally, in lieu of the title of a book on the spine and as a way to document what this project was I cut a piece of cardstock, punched a hole in it, wrote on it and stitched it in place, leaving the thread long enough to make a bow. 😊  

Thus my entry for February's Scrap Happy Day, which is hosted by Kate over at Tall Tales from Chiconia on the 15th of each month. To see what other participants have done with their scraps or leftover materials recently just click on the links below.   

Kate, Eva, Lynda,
Birthe, Turid, Tracy, Jan, 
Moira, Sandra, Chris, Alys,
Claire, Jean, Dawn, Gwen,
Sunny, Kjerstin, Sue L, Vera, 
Ann, Dawn 2, Carol, Preeti,
Viv, Karrin,  Alissa,
Hannah and Maggie

 

No Kings Since 1776

 I've been using my needle and thread to help me cope with what's been going on in the United States of America. I shared this little book a few months ago, when it was still in the works. It is now complete.

 I have ancestors who participated in the original American Revolution. 

Most of the men in my family have served in the military through the generations. 

I firmly believe in the principles that were the foundation of this nation.

I wish I could do more to fight in this new American revolution.

So I turn to fabric, needle, and thread.

Coping in October

 Living in the United States of America has become exceedingly stressful. If you care about our Constitution and Bill of Rights anyway. And I do care. Deeply. Which has made it hard to make time to create but at the same time makes it more important that I do take the time to be creative. Factor in my advancing age and chronic disability on top of it all and the result is fewer and fewer blog posts!

Over the years I acquired a scrap of what I assume was a curtain fabric and a scarf that both feature images from the Revolutionary War period of the USA. They've been languishing in my stash since the beginning of time - or at least, the beginning of my quilt making career. This is the year they've been waiting for. Not the 250th anniversary of the founding of this nation but one year shy of it. 🫤

 

The curtain scrap has been virtually used up. (I can't find what was left of it.) This is what's left of the scarf. I cut one square from it for a page in the little book I've been making and two more squares for what will likely become the inside of the cover. I didn't know I would be making a separate cover when I began this project. I thought this would be the front cover:

That's the piece of curtain fabric that was most appropriate for my purposes. On top of a navy blue cotton printed with tiny stars. Turn that page to reveal...

 I've discovered I really enjoy raw edge applique. Who knew? I've avoided applique like the plague up 'til now. Still not interested in turning edges under or cutting layers to create an image. But let me fussy cut words and phrases or images out of fabric and I'm on my way!

 The little wooden sign on the right hand page of this spread reads 'Home Sweet Home.' I've also found some freedom in working at not trying to make everything perfect. 

 

 

The more I worked on this little book the more the beads and sequins and buttons came into play. Behind the statue of Liberty I tried to indicate the various people that have contributed to the building of this nation.

 This is the first image I cut from the scarf. The pages of this book are roughly 3.5" square.

 This is what I have laid out for the back cover. Originally I thought it would be on the outside but now I'm thinking the inside. I have an idea for the exterior of the cover... we shall see what transpires. 

 

Scrappy Remixed Geese

 For Scrap Happy Day back in May I shared the progress I'd made on a scrappy version of the Remixed Geese pattern (free from Robert Kaufman Fabrics). This is what it looked like then:

 It would have finished at 54" x 72." I could have stopped there but I prefer the slightly larger size of 60" x 80" for unknown recipients. There would inevitably be more scraps to cut into geese and background patches so I put it away for a while. 

 I was able to get another ten or so flights of geese made recently. They've been added to the flimsy to make this quilt top:

 Now it will finish at 60" x 80." 😊 

 

Scrap Happy in July

The 15th of each month is Scrap Happy Day as declared by our hostess Kate. Once a month we show and share something we've made from scraps or leftovers. If you've been here recently you'll know I've been working to empty the tin of 2.5" patches that I've cut from scrap or leftover fabrics.

This is the tin when I began:

The stacks of patches reached up to the rim of the tin. Now the tin looks like this:

 All those patches were sewn into 16 patch blocks that finish at eight inches each. I ended up with something like 67. Obviously I could make a few more... and there will be new patches added as I work on new projects. 

Sixty-three of those blocks were put together to create this quilt top:

With all that variety in prints I used the dominant color that ran diagonally as the criteria for placing the blocks.  There were a few outliers but that helped a lot to organize the chaos. The print I used for the borders is black with tiny multi-color hashtags. Two inches down the long sides and 4" across the top and bottom brought the top up to my standard 60" x 80." 😊

You may remember that I was working on a scrappy version of the Remixed Geese pattern back in May. I  have added to that in the last week too but I'll talk about that in another post. In the meantime, here's the list of links to others who usually join us in scrappy goodness each month with out hostess at the top of the list. Enjoy!

Kate, Eva, Lynda,
Birthe, Turid, Tracy, Jan, 
Moira, Sandra, Chris, Alys,
Claire, Jean, Dawn, Gwen,
Sunny, Kjerstin, Sue L, Vera, 
Ann, Dawn 2, Carol, Preeti,
Viv, Karrin,  Alissa,
Hannah and Maggie

 

 

Scrap Happy Follow-up

 I've continued to sew my 2.5" scrap squares into sixteen patch blocks. My tin looked like this when I began:

And this is what it looks like today:

 The stacks at the top had four or more patches of a single print in them. The stacks in the middle were two or three of a print, and the bottom stacks were single squares. 

And now this is what my design wall currently looks like:

That's fifty blocks that will finish at eight inches each. They are on the wall in the order in which they were made, not arranged in any specific way yet. I want to see how many more blocks I can get out of the patches that are left in the tin. After that we'll make a decision about how to use them in a quilt top. 😊

Some of the blocks are very controlled while others have a wide variety of prints in them. Mostly I let color drive my placement decisions. The two blocks below have a variety of prints but read and red, white, and blue on top and black drives the lower block. 

This pair of blocks are more controlled: blue and yellow, then green and yellow. 

 

This may or may not make assigning block placement a challenge. That remains to be seen!