I'm not sure what you're looking for, but hopefully you'll find it in one of these shots:
The fish skeleton, the key, and the ship's wheel are all charms. The clock is a button. The lock was a button also; I cut off the shank to it would sit more closely to the surface of the quilt. I wanted to tone down the color somehow but everything I tried just wiped off. The heart on her bodice is hematite, the bird fetish is shell.
The lily-of-the-valley-type flowers were printed on the fabric. I just went over them with beads and floss, pretty much in the same colors as was on the fabric. There are four fire polished flower beads, a large blue vintage button, and a ribbon yo-yo flower head. Their stems and leaves are all beaded. On these smaller leaves and the lily-of-the-valley flower heads I used what I know as a leaf stitch. It's the kind of leaf you make when you're making a leaf fringe.
I felt very fortunate to have this bit of textile in my stash and to have it fit the theme so well!
This is exactly the detail I hoped to see... please thank your husband for me!!! He took great pictures. I just love this piece. Maybe the symbolism speaks to me too. Thank you!
ReplyDeleteWhat fun to find your blog after you left me a comment on mine! I'm adding you to my bloglines, so I don't miss a thing. Great projects, and love your orphan quilt.
ReplyDeleteNow, off to work -- yeah, that thing that pays for my weaknesses in fabric!
Hi Sue -- I like the lock just fine but I also like to tone things down sometimes, as you mention. You can use acrylic paint -- such as burnt umber, out of the tube, which is a thicker concoction than the bottles. Apply it with a very stiff brush, to push the paint down into the crevices, then just before it dries, gently wipe off the high areas with a slightly damp cloth.
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