28 March 2026

 I can't be part of the protest out on the streets with my friends and neighbors on No King 3 so I thought I'd do my protesting here. 😁

 

 

 

 

 

 

These people did not die so we could live in a fascist country.

 

  In case this hasn't crossed your feed yet, enjoy Lizzy and the Triggermen singing a song written by Irving Berlin back in the 1940's.

And the fabulous Bette Midler has given us a new version of an Woody Guthrie song to sing at our rallies. 😁

 I urge every American who can to find the protest nearest you - there are over 3,000 of them scheduled across the country - and get out there on Saturday!  

 

Scrap Happy in March

Welcome to Scrap Happy Day! I have a couple of quilts to share with you this time around. First off, this Shoo-fly and Courthouse Steps quilt that I pieced last year.

It ended up being about 60" square. The blocks are all six inches finished surrounded by a 3" border. 

 It has been donated to be used by a child in Foster Care or a patient in chemo therapy.

I haven't done a lick of piecing on the machine since I started on the Textile Tales books. Before that even. It's a little unsettling. We shall see what the future brings. 

The other quilt I want to share was made some time ago. I have no idea exactly when or by whom. I purchased it when we were living in Texas from a sort of antiques shop. That would have been between 1988 and 1990 probably. It was intact when I bought it and have treated it gently but it has suffered since then. Somewhere along the way a mouse got to it and removed some of the cotton that was used for batting. I've enjoyed it folded at the end of my bed and over a chair back most recently.

 The last time I had a good close look at the quilt I noticed some stitching between patches had fallen away and a couple of places where the fabric was all but gone. It was beyond my ability to repair. {sigh} So I have begun taking it apart. 

Based on what I've learned over the years my conclusion is that this was made by an African-American woman, maybe in the 1950's. The batting is raw cotton. We were living in what would have been cotton growing country at that time. In fact, it still was when we were there, just not to the same extent I suspect.

 I have discovered a repair that had been done before I purchased the quilt but hadn't realized was there. There's also at least one patch that had been pieced before being used in a block. Everything about this quilt speaks to my soul. It make me sad that I can no longer use it in its' original state. I have every intention of figuring out how to use and honor the parts of it that are still viable. 

Scrap Happy Day is hosted monthly by Kate at Tall Tales from Chiconia. Not everyone participates every month but there's plenty of inspiration to be found in the list below. 

Kate, Eva, Lynda,
Birthe, Turid, Tracy, Jan, 
Moira, Sandra, Chris, Alys,
Claire, Jean, Dawn, Gwen,
Sunny, Kjerstin, Sue L, Vera, 
Ann, Dawn 2, Carol, Preeti,
Viv, Karrin,  Alissa,
Hannah and Maggie 

 

 

Textile Book Number 2

Honestly, I meant to do this a week ago! Life sure has a way of subverting plans.

I'm following along with the Roxy sisters and Volume 9 of their Journal of Stitchery project. Not that I'm adhering strictly to the brief, but I am trying. The idea is to use a physical book as inspiration for a textile book. For February I went with a genre rather than any specific title. I'm calling my book Tales From the Macabre. 😁 

It all began with a beautiful vintage hankie. Black, with cutwork outlined in white. I'd never seen such a thing until I found it on eBay. Fortunately, I didn't have to pay through the nose to get it. For the cover of my book I laid a piece of purple cotton underneath the cutwork. I used black batting to pad the cover. 

 

The hankie was a bit too big for the size I wanted my book to be so I had to make a pleat where the spine would be. In the end I was able to decorate the spine with some crinkled seam binding and beads so the pleat disappeared. 

 I used a piece of hand dyed (not dyed by me) crochet to create a pocket on the inside front cover. Then I made a tag from an Edward Gorey note card to give me a place to write my documentation.

 The haunted house was cut from a quilter's cotton and surrounded with a piece of gathered black lace. Actually, several pieces from my quilting stash were used to create the pages of my book.

The cat is a flat back embellishment I was able to couch in place. I left the adder alone. That page has next to no stitching on it in fact. I used a spider charm and a bat button on the next page. The skeleton was cut from a twill ribbon that I tea dyed. 

 This is the center spread of my book. I was able to use a third corner from the hankie here which pleased me very much. I still have the fourth corner to use somewhere else. Those are tiny black star sequins held in place with a bead scattered across the background areas. 

 The crescent moon is a sequin and the flowers at the bottom of this last page are paper on top of a strip of lace, secured with a matte flower sequin and a bead. The background is scatter stitched with a thread that is virtually the same color as the fabric. The pocket on the inside of the back cover was made with a piece of vintage lace. So far it remains empty.

 And finally, the back cover. All of the stitching on the cover was done with a purple Sulky cotton petite thread. The purple on black about did my eyes in. I used Sulky threads and occasionally a size 12 perle cotton throughout. Three strands of floss to blanket stitch the pages together. Overall my book measures 3.75" wide and 4.5" tall. The idea is to keep the books all the same size but this one turned out a bit larger than my book of feedsack fabrics. I think my feedsack book is going to turn out to be the smallest in the series actually. It was the first one, and I learned along the way. 

My book for March has been started. It will pretty much be the polar opposite of February's book. But then, February was not at all of a piece with January!