Tuesday, October 7, 2014

Grandma's Box of Crayons

Things have been quiet here in The Magpie's Nest for the last couple of weeks. Conditions around here seem to be either feast or famine. What're ya gonna do? That's life.

I still don't have good pictures of the big quilts I finished recently. What I can show you is Grandma's Box of Crayons:


Since it's been a while since I started this project (January of this year as I recall) let me refresh your memory. Inspired by the Rainbow Scrap Challenge I thought I would make one or two Scrappy Trip blocks each month. It didn't work out that way of course. There were months I didn't make any blocks and other times when I couldn't stop making blocks. Mine are 15 inches finished and there are 20 of them.

When it came time to decide on a layout the first challenge was to arrange the colors in a pleasing configuration. That took some doing, let me tell you! Then there was the detail of whether to let the diagonal line of the strongest values in each block fall all the same way...



Or whether to alternate the directions:



The first was too static for my taste so I chose the second option.


My talented son quilted the top for me. We struggled with that decision too. I knew I wanted something curvilinear to contrast with all the straight lines in the piecing but I also wanted something more than just a meander. I love these hearts!



Of course I had to find just the right binding print too.


I've had this one in my stash forever. I think it's an old Hoffman print. After I told her the name of the quilt my daughter said the binding looked like melted crayons. Perfect! I couldn't be happier with this one - which could be why I'm having trouble getting interested in beginning a new quilt project. ;- )

Tuesday, September 23, 2014

Finishing Up

The Parts Department Quilt was a perfect opportunity to use some of the leftover lengths of bindings from previous quilts. Here they are, pieced together and serpentine on my ironing board:


That's enough to go around a queen size quilt. I still don't have a picture of the finished product though. Soon, I hope!

This top has also been quilted (with scattered leaves) and bound:



Reilly helped.


That's the quilt back and a tiny bit of the green binding. This one also needs a formal portrait taken.

Meanwhile, when I visited Mari over at the Academic Quilter during the Around the World Blog Hop I left a comment that ended up winning me this packet of fat eighths and some white Kona cotton!


And have you been over to visit Cyra at Free Form Stitching yet? Her blog hop post is up. So is Maya's over at Million Little Stitches. Go see what they're doing, you won't be disappointed!



Thursday, September 18, 2014

Gotta Keep That Wheel Turning

I've just finished binding the Parts Department quilt. It may take a few days to get good pictures of it. I haven't even seen it on my bed yet! There are three other quilts ready to be bound and two tops at the shop waiting for their turn to be quilted. This puts me at the end of my creative cycle. It will be pleasant to sit and stitch bindings down by hand but once that's done it will be time to start all over again. The question looms, "What next?"

While the subconscious stirs the possibilities I will probably just sew scraps. I received a lovely thank you note recently on a notecard that featured an antique quilt.


It's called "Little Cedar Tree" but I can't for the life of me see why. Another name for the block is Birds in the Air. That I can see. Studying this card I realized that some of my scrap triangles could be sewn into these little blocks...


Pretty simple, but effective and useful. I've never been one for large blank alternate squares because I'm not technically a quiltER. If I use alternate squares to set these units they'll only be about 4.5 inches. I can live with that. :- )

Of course I continue to make my 6" Shoofly and Churn Dash or Hole in the Barn Door blocks.




I've also been going through my 2.5" strips and making Scrappy Trip blocks:


Somehow I still have so many scrap strips (assorted widths and lengths) that they're crowding each other in the closet. I really think I'm going to have to make another string quilt of some sort. We'll have to see what develops as the stew simmers... ;- )

Monday, September 15, 2014

Around the World Blog Hop


Julie, aka Quiltdivajulie, tagged me to participate in the Around the World blog hop. The example she set in her post (which you can see here) was a bit intimidating but I took a deep breath and accepted.

First of all I'm going to take this opportunity to finally introduce myself visually. I've been keeping this blog since 2007 and to the best of my recollection I've never shared a picture of myself. This one's for you Julie!


 The blog hop invitation poses these four questions:
  1. What am I working on?
  2. How does my work differ from others of its genre?
  3. Why do I write/create what I do?
  4. How does my writing/creating process work?
Currently I'm working at clearing enough space around my cutting mat to enable me to prune two large-ish quilts. They're large for me and my space even though one is barely twin size and the other will only fit a double bed. These two quilts were just quilted by my younger (adult) son who has become a professional long arm quilter during the past year or so. Now I have to cut away the excess batting and backing and make and apply bindings to them. Not my favorite steps in the quilt making process but necessary.

My work may differ from that of other quilt makers in that, lately at least, I work primarily from the scraps created when previous quilts were made. I have always enjoyed scrap or multi-fabric quilts more than the controlled, organized versions that seem to have been popular (and more socially acceptable) back in the day. For example, I could never make this:


I have the skills, I would just get bored after the first block! Plus, technical complexity doesn't do it for me. What I like is ingenuity, figuring out how to make something aesthetically pleasing out of a pile of apparently unrelated prints and colors. To which end I design my own quilts. I'm not sure I'm capable of actually following a pattern anymore. I will inevitably find something about it that doesn't suit me and make changes.

I also prefer to work intuitively. That means I will start out with a goal in mind but not much more than that. Most often there is a person for whom I want to make a quilt or who is in need of a quilt for warmth or comfort (generally both). That will help to determine the size the finished quilt will need to be and sometimes I can get color cues if I know the person's taste. For example, I just finished and shared this quilt for my father-in-law:


I did my best to incorporate his interests and color preferences. This one was not made from scraps but from a wide variety of prints. The quilts I make from scraps tend to look more like this:



In the beginning (around 1985) my motivation for making quilts was, I assume, much the same as many other quilters. I admired the traditional quilts of yesteryear and the make-do spirit in which many of them were created. Not that I had much personal experience with quilts growing up. All we ever had were store bought blankets until my folks purchased a lakefront cottage that came furnished. There were a couple of comforters in the bedrooms. Tied, not quilted, and made out of whole cloth instead of being pieced or appliqued. It was years later that I learned I had great grandmothers who pieced and quilted and that there were specimens of their work in the family. I have since become the curator of those heirlooms. :- )

One of the first big influences in my quilt making were sisters Roberta Horton and Mary Mashuta. Off the top of my head I don't remember which sister specialized in which type of work but one focused on the utility quilts of the past and the "imperfections" that made them so charming. The other promoted the idea of quilts as vehicles for art and expression. I've made my share of art quilts but at the moment I seem to be stuck on making utility quilts rather than show quilts. I believe I have Gwen Marston to thank for that. She has managed to show us quilt makers how to cross the line between art and function. Or better yet, how to combine art and function. I think that's what ultimately drives me, the desire to combine artistic impulses and function.

And so lately I've been cutting patches and strips from the leftovers of a quilt I just made and then piece simple traditional blocks from those scrap patches and use those blocks to create a quilt top that I will beg or pay someone else to quilt for me. Right now that's my process. This blog has always been the place where I share my textile processes, whatever form they may take. I do dabble in other forms of the needle arts, just not to the extent that I piece for quilts.

I have reached out to two creators whose work is very different from mine to carry on this blog hop. They are Maya of A Million Little Stitches, primarily an embroiderer who lives and stitches in India, and Cyra who lives a free form life and creates all sorts of textile art in New Zealand. Look for their blog posts next Monday, 22 September. Or go visit them now and see what they're up to! You won't regret it. :- )
















Friday, September 12, 2014

A Quilt Maker's Prerogative

Back in June I won the block of the month drawing at my local quilt guild. There were about 20 blocks. I made a couple more in the days after receiving the set, thinking I would make a couch quilt for myself. Well, time has passed and I've changed my mind.

The blocks are a version of the Seesaw pattern, 12 inches finished. Two of the original blocks were too small to use. The directions for the block offered both a paper pieced option and traditional piecing methods. I suspect a couple of the participants who used paper piecing had some difficulties. I don't blame them at all; my mind doesn't work that way either! I took one of those blocks apart, added a bit of fabric from my own stash, and created two 6" blocks for the Parts Department:

 
I'm not sure what I'm going to do with the other one that's too small. I may take it apart one day. For now it goes into the Parts Department.

So I played around with the rest of the blocks and as I was playing I remembered the effort to provide quilts for those who are receiving chemo treatments in our local hospital. I learned that it's often chilly in the room where the patients sometimes have to sit for hours. Radiation patients are also given quilts at the end of their treatment cycle as a sort of graduation present. These quilts need to be big enough to warm a body but not so big they are cumbersome or get in the way. My 20 Seesaw blocks set 4 x 5 would make a top 48" x 60," a perfect size for this purpose.


I purposefully kept the lightest blocks in the center and used the darker blocks around the perimeter.

Two blocks didn't make the cut. They just didn't seem to fit in.


Once I had the blocks arranged to my satisfaction it didn't take long to set the top. It was a bit startling actually, to be done so quickly! And I don't have to worry about coming up with batting or backing or even the binding. There are other dedicated quilt makers who will take up the project from this point. Woohoo!